His hubris leads to his ultimate, inevitable downfall. When you shall these unlucky deeds relate, Nor set down aught in malice. His lack of humility is a crucial element in his transformation from the valiant General to the jealous husband who murders his innocent wife. Pomp and circumstance Shakespeare Quotes - eNotes.com I will chop her into messes. This classical definition of hubris does provide an interesting critical framework for an important moment in Othello: his public assault of Desdemona in (IV.i). And O you mortal engines, whose rude throats. I have lost the immortal part of myself, Act 2 Scene 3- Cassio curses the alcohol as he is left devastated, Every inordinate cup is unblessed and the ingredience is evil, Act 2 Scene 3- Iago reveals that Othellos devotion to Desdemona could act as his fatal flaw, he hath devoted and given up himself to the contemplation, mark and denotement of her parts and graces, Act 2 Scene 3- Iago reveals that Desdemonas kind nature is a flaw that can be used against her, She is of a free, so kind, so apt, so blessed a disposition she holds it a vice in her goodness not to do more than she is requested, Act 2 Scene 3- A moment of dramatic irony as Iago reveals himself to be the villain, And whats he then that says I play the villain//When this advice is free I give and honest, Act 2 Scene 3- A moment when Iago further illustrates Desdemonas innocent and free nature, Shes framed as fruitful//As the free elements, Act 2 Scene 3- Iago reinforces Othellos fatal flaw as his love for Desdemona, Act 2 Scene 3- Iago reveals the deadline nature of words, Act 2 Scene 3- Iago reveals that it is Desdemonas goodness that will result in their tragic downfall, And by how much she strives to do him good//She shall undo her credit with the Moor, Act 2 Scene 3- Iago declares that he will turn Desdemonas strengths into weaknesses, So I will turn her virtue into pitch// and out of her own goodness make the net//That shall enmesh them all, Act 2 Scene 3- Roderigo has a moment of realisation that he is the victim, I shall have so much experience for my pains; and so, with no money at all, and a little more with, return to Venice, Act 3 Scene 1- Cassio discusses the purity of Desdemona, Act 3 Scene 1- Cassio makes an error of judgement as discusses his trust for Iago, I never knew a Florentine more kind and honest, Act 3 Scene 3- Desdemona makes an error of judgment as she confirms that she will help Cassio, be thou assured good Cassio, I will do// all my abilities in thy behalf, Act 3 Scene 3- Desdemona makes an error of judgement as she states that she trusts Iago, Act 3 Scene 3- In a moment of dramatic irony Desdemona doesnt know the truth in here words as she states she would rather die than give up on Cassio, For thy solicitor shall rather die//Than give thy cause away, Act 2 Scene 1- Desdemona is putting up a front to maintain appearances as she waits with Iago and Emilia for Othello to arrive safely to Cyprus, I am no merry, but I do beguile// The thing I am by seeming otherwise, Act 2 Scene 3- Othello reveals that he and Desdemona are going to have sex for the first time, The purchases made, the fruits are to ensue: That profits yet to come tween me and you, Act 2 Scene 3- Iago appears crude and bitter as he wishes that Othello and Desdemona have a good time in bed, this contrasts the formality of Cassios language, Act 2 Scene 3- Iago presents Roderigo as the tragic victim of love, Rodergio, Whom love hath turned almost wrong side out, Act 2 Scene 3- Iago introduces the power of pride as he sings with Cassio to get him drunk, Act 2 Scene 3- When Cassio is drunk he reinforces his power over Iago, The lieutenant is to be saved before the Ancient, Act 2 Scene 3- Iago begins to manipulate Montano into believing that Cassio should not be trust by Othello, Act 2 Scene 3- Montano presents Othellos good nature as he defends the trust Othello put in Cassio, his good nature//Prizes the virtue that appears in Cassio// and looks not on his evils, Act 2 Scene 3- In a moment of dramatic iron Iago damns Cassio for his drunken behavious, Act 2 Scene 3- Othello states that he Cassio has ruined his reputation as lieutenant, Act 2 Scene 3- In a moment of dramatic irony Othello states that he is now ruled by his blood, Now, by heaven// My blood begins my safer guides to rule, Act 2 Scene 3- In a moment of dramatic irony Othello criticises those who make their private conflict public, To manage private and domestic quarrel in night, and on the court and guard of safety, Act 2 Scene 3- Iago states that when angered men do harm to those they love, As men in rage strike those that wish them best, Act 2 Scene 3- Iago reveals his bitter opinions of status and reputation, Reputation is an idle and most false imposition: oft got without merit and lost without deserving, Act 2 Scene 3- Iago revels that Othello now belongs to Desdemona, Act 2 Scene 3- Iago reveals a possible fatal flaw of Othello as he is completely devoted to Dsdemona, Act 3 Scene 3- Iago begins to plants seeds of doubt into Iagos mind as he suggests that Cassio is sneaking around behind Othellos back, I cannot think it// That he would sneak away so guilty-like// Seeing you coming, Act 3 Scene 3- Othello states that he will give Desdemona everything, Act 3 Scene 3- Desdemona proves to Emilia that she is obedient but challenges Emilias obedience, Emilia come. Act 1 Scene 1- Iago illustrates Othellos hubris, But he as loving his own pride and purposes, Act 1 Scene 1- Iago illustrates Othellos pride and reputation as a soldier, Act 1 Scene 1 Iagos casual sexism as he discusses Cassio, Act 1 Scene 1- Iago reveals his motives, the jealousy of Cassios promotion, Preferment goes by letter and affection//And not by old gradation, Act 1 Scene 1- Iago reveals he only does his duty to seek revenge on Othello, Act 1 Scene 1- Iago revels his false nature, But I will wear my heart upon my sleeve// For daws to peck at- I am now what I am, Act 1 Scene 1- Roderigos casual racism as he discusses Othello, What a full fortune does the thick-lips owe, Act 1 Scene 1- Iago objectifies Desdemona as he and Roderigo awake Brabantio. "We can never be gods, after all--but we can become something less than human with frightening ease." N.K. Youll have your daughter covered with a Barbary horse the black ram is tupping your white ewe. O, damn her, damn her, Act 3 Scene 3- Iago succeeds in achieving lieutenancy, Act 3 Scene 4- Othello asks for Desdemonas hand as he attempts for interrogate her, this mirrors palm reading which reflects Othellos pagan ancestry showing that he is distancing himself from the christian traditions he has adopted, Give me your hand. Villainy, villainy, villainy! The quote shows the terrible bind Desdemona is trapped in: her attempts to speak the truth and tell her husband she is chaste only make him more angry at her because he believes she is lying. The quote shows how fully Othellos feelings towards Desdemona have changed: he now hates her as passionately as he previously loved her. He is proud and vain thinking that the handkerchief is enough proof that Desdemona is has faithlessness to her husband. The quote reveals Othellos blind spot where Iago is concerned, and sets the stage for how Othellos belief in Iagos integrity and honesty will lead to disaster. resource to ask questions, find answers, and discuss thenovel. Thieves, thieves! $18.74/subscription + tax, Save 25% Here, Othello prepares to kill Desdemona. Copyright 1999 - 2023 GradeSaver LLC. Act 4 Scene 1- Othello once again contradicts himself as he suggests that he wishes to violently harm Desdemona, Act 4 Scene 1- Iago tells Othello how to murder his wife, strangle her in her bed, even the bed she hath contaminated, Act 4 Scene 1- Othello suggests that the justice of murder settle him, Act 4 Scene 1- Lodovico reveals that this new Othello would not be believed in Venice, My lord, this would not be believed in Venice, Act 4 Scene 1- Othello reveals that womens tears are fake, If that earth could teem with a womens tears//Each drop she falls would prove a crocodile, Act 4 Scene 1- Iagos manipulation continues as he declares his honesty, It is not honesty in me to speak// What I have seen and known, Act 4 Scene 2- Emilia swears on her life to Othello that Desdemona is honest, I durst my lord to wager she is honest lay down my stole at stake, Act 4 Scene 2- Othello believes that Desdemona is manipulative and sly in her actions, This is a subtle *****, A closet lock and key of vilainous secrets, Act 4 Scene 2- Desdemona continues to pledge that she is honest, Act 4 Scene 2- Othello declares that Desdemona is false, Act 4 Scene 2- Othello suggests that his fatal flaw is his lack of patience, I should have found in some place of my souL//A drop of patience, Act 4 Scene 2- Othello reveals the danger in Desdemona despite the fact that she appears honest, O, thou weed, Who art so lovely fair and smellst so sweet, Act 4 Scene 2- Desdemona wishes that Emilia lay out her wedding sheets, Act 4 Scene 2- Desdemona reveals to Iago that it is her destiny to suffer, Act 4 Scene 2- Emilia illustrates great power as she is aware that someone is behind Othellos jealousy, I will be hanged is some eternal villain//some busy and intriguing rogue//Have not devised this slander, Act 4 Scene 2- Emilia continues to illustrate her power as she suggest someone is controlling Othellos jealousy, The Moors abused by some most villainous knave, Act 4 Scene 2- Desdemona reveals that despite Othellos unkindness, her love will continue, Unkindness may do much//And his unkindness may defeat my life//But never taint my love, Act 4 Scene 2- Roderigo has a brief moment of realisation that he is the victim of Iagos manipulation, Every day thou daffst me with some device Iagokeepst from me all conveniency. I have no wife, Act 5 Scene 2- Othello suggests that people who murder are crazy, It is the very error of the moon//She comes more neared earth than sh was wont//And makes men mad, Act 5 Scene 2- Othello seeks revenge on Cassio as he is aware that Iago hasnt murdered him, Then murders out of tune//And sweet revenge grows harsh, Act 5 Scene 2- Desdemona dies an innocent victim, Act 5 Scene 2- Desdemona remains loyal to Othello until the end of her life, Nobody- I myself-farewell//Commend me to my kind lord- O farewell, Act 5 Scene 2- Othello tells Emilia that he believes Desdemona is a liar, Shes like a liar gone to burning hell//Twas I that killed her, Act 5 Scene 2- Emilia continues to defend Desdemonas innocence, O, the more angel she//And you the blacker devil, Act 5 Scene 2- Emilia defends Desdemona and calls Othello evil, Act 5 Scene 2- Othello suggests that Desdemona was not loyal, Act 5 Scene 2- Emilia suggests that Othellos rash behaviour led him to believe that his wife was not loyal. Dont have an account? Look to your wife, observe her well with Cassio. The idiom "wear my heart on my sleeve" comes from this line in Othello. Here, he claims that he has poisoned Othello's mind by suggesting Desdemona may be up to something naughty. O, I have lost my reputation! Othello hubris Free Essays | Studymode Lodovico is shocked by this violence: My lord, this would not be believed in Venice. Her vocal support for him only enrages Othello and he strikes her. Leads to him losing his state of mind and convincing himself that Desdemona definitely cheated on him. He also mentions his illustrious heritage and noble character: "I fetch my life and being / From men of royal siege". Her will may fall to match you with her country forms and happily repent. My medicine, work! I think the opening scene is meant to introduce the cunning and deceitful Iago. O , she was heavenly true! 20% Luckily, FreeBookSummary offers study guides on over 1000 top books from students curricula! Now that Iago has awakened jealousy and suspicion in him, he cannot think about anything else. These papers were written primarily by students and provide critical analysis of Othello by William Shakespeare. For example, in (IV.ii), he remains resolute despite Emilias firm defence of Desdemona. If you do find me foul in her report the trust, the office I do hold of you not only take away, but let your sentence fall even upon my life." Your son-in-law is far more fair than black. In this conversation with Desdemona, Iago reveals how little he thinks of women, and that they use their beauty or wit to manipulate men.